More Pages: Rock Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100


One of the best books I've ever read ever
He never lost a single one of his 49 heavyweight bouts
A Great Read

School House Rock!: The Official Guide
A chip off the block!
Cool- also check out Scripture Rock if you like the Bible

Like a Rock: Appealing and Powerful and RuggedRuth ventures West, determined that she will not yield to society's limited expectations and dull conventions for women. She will live on her own in her beloved canyon. She will build her house where that huge boulder rests, the one two men have told her cannot be moved. She will have sex and enjoy it, thank you very much. She will do it all despite the cost to herself and her loved ones. And Ruth exhibits all this staunch feistiness in 1920s rural, tiny-town America.
In Ruth, novelist Susan Lang has created a character who arrests the reader's interest and refuses to free it. She is far more compelling and believable than another female character untypical of her time, Jane Smiley's Lidie of The All-True Travels and Adventures of Lidie Newton. And she is as intriguing as Kate Horsley's Sara Franklin, another young woman who travels to the Southwest in Crazy Woman.
The novel's only flaw is that it seems a little rushed toward the end. But perhaps that is only because Ruth is so fascinating that we don't want to let her go.
A first novel that breaks boundariesPart of her delusion is that she can carve out an independent life for herself in an isolated mountain region without the help and support of neighbors, and a major early story line of the book is her stubborn insistence on moving, entirely alone, a boulder that must be removed before she can lay the foundation for her cabin. The boulder could be easily moved with the help of neighbors, or by using a couple of horses and rope to drag it to a new location, but Ruth is determined to do it herself. The story of her struggles with the boulder, and her eventual triumph over it, becomes a metaphor for Everywoman's struggle to achieve independence against overwhelming odds, and any woman who has learned from hard experience that "what doesn't kill us makes us strong" will identify deeply and emotionally with this element of the story.
Unfortunately, succeeding at moving the boulder by herself reinforces Ruth's delusion that she doesn't need anybody. The rest of the book is a harrowing account of what she pays for this delusion, coming close to death at the hands of violent men and again at the hands of Nature, and seeing the first true love of her life killed because she is a white woman who has taken an Indian lover. Ultimately, of course, she has to learn to see life, Nature, and people as they really are - complicated, unpredictable, sometimes violent, and sometimes unexplainably compassionate.
If the book has a weakness, it is that even though Ruth is complex and multifaceted, some of the other characters are rather flat - her Indian lover Jim, for example, is unbelievably flawless. But in the context of this compelling story, I wasn't bothered much by that. I was much more impressed by Lang's tackling of reality themes I seldom see novelists deal with: a woman struggling with the paybacks of unrestrained lust, for example.
True "literary" writing expresses the universal through the particular, and in my view this book may well become a classic parable of what we pay, men as well as women, for defying cultural norms, and what we must do to come to terms with those norms without losing our truest Selves in the process.
Small Rocks RisingAmid fast action and female lust, there is the slow revealing of Ruth's background. The complex composition of Ruth's character comes from her half-breed mother, a strong-willed aunt, two years of finishing school, training to be a nurse---and the will to be free of it all.
This novel rings with the authenticity of place, and of a woman's unambiguous sexual longings. In Ruth's insightful self-talk and dreaming, there hangs the reality of a woman alone. She is impatient with life and all the people she encounters in her struggle to forge a place for herself in the wilderness. Ruth is an unconventional woman whose thoughts and actions are well ahead of her time. Her courage is matched only by her desires.
As the novel reveals Ruth's story, it also reveals a parallel to the male myth of passage, initiation into adulthood. Ruth experiences the trials of being alone in the extremes of nature, life-sapping heat to freezing snowstorms. She also encounters the extremes of the nature of men---violent to tender. She loses her way in the wilderness of the mountains and her own desires to discover she has the resources not only to survive, but to overcome all that nature, and man, has to throw at her.
Overall, the novel is a great read. Let's hope there is more.


SMASHING!
Not the biggest SP fan? Read this book and become one!
It was pritty clear of what I wanted the viewers to hear !

A lot of jealousy, drug use and entertaining candor
Cale can be so funnyAlso the pictures are wonderful.
Bettina
INSPIRING TALE OF MY FAVOURITE MUSICIAN

White is a State of Mind
White Is a State of Mind
A True Heroine

A note from Maureen FarquharMaureen Farquhar (maureenfarquhar@yahoo.com)
Gianni Versace, a Fashion Genuis
excellent!

A better place to play
An Important Read For any Modern Rock Fan
Definitive Story of GiantsThis book is a must for anyone interested in Oasis and highly recommended for anyone who merely has a passing interest. It charts the band from their beginning to the release of Be Here Now (the interesting years!). It is a thorough and amusing account of the band's rise to fame and the downners along the way, especially with some of the tales form America.
Mathurs writes with a knowing, chatty and humourous edge which makes this book extremely addictive and you will no doubt be shocked and amazed by some of the antics covered! The sections where Robbie Williams pops up are simply unbelievable considering recent events. The constant banter of the Gallaghers highlighted in the book is great for the comic element and the comments on the bands music (always the most important thing with Oasis) are honest and truly meant.
A great read with highlights in every chapter. Buy it.


A Must Have for all U2 fans
Nice book!
All you ever wanted to know about U2 + MORE!

Nothing to Kill or Die ForBresler's book does an excellent job of following the man who killed John Lennon. He accurately chronicles the assassin's movements during the latter part of 1980 and his boyhood overidentification with the former Beatle. Bresler does not skip a beat, his work takes his readers along that sad, psychotic trail Lennon's killer took in late 1980.
The assassin, caught in a love-hate obsession concerning John Lennon appears to be confused about his own identity. A former Beatles fan, the killer would, by 1966 turn against them because of John Lennon's comment that the Beatles were more popular than Jesus. Irate and confused, the killer appeared to try to suppress his natural love for their music while justifying his hatred of John.
It is indeed the killer's behavior that calls attention to his desire to emulate the late Beatle. The assassin marries a woman who is Japanese; he expresses an enjoyment for the same types of art and music that Lennon publicly endorsed. By late 1980 the lines between reality and fantasy blurred; on his last day of work, the killer signed out of his company log book as "John Lennon." He then left Hawaii where he was then living for New York. An extremely confused man, he overidentifies with Holden Caulfield, the young protagonist of "Catcher in the Rye" infamy. He, like Holden declares a moratorium against "phonies" and in his mind, John Lennon is one of those phonies His fantasies ultimately consume him and the results are...devastating.
Bresler does an excellent job of chronicling the series of events that took place when and after John Lennon was murdered; he also does an excellent job of debunking many of the tabloid biographies of the day, e.g. Goldman and Guiliano's biographies of the late Beatle. John's youngest son, Sean, for example comes down hard on the Goldman book which portrays John as punitive and uncomfortable around children as a "total lie." He said that John did indeed enjoy being kissed by Sean and his older half brother Julian and that Goldman's statement otherwise was untrue.
I was impressed with the accuracy and objectivity of this work. It will certainly hold a reader's interest and is an invaluable source of information. I'm lucky to have this. It would be nice to see this back in print.
There is hope in speaking truth to power
Army Dreamers.Arthur O'Connor,the detective who spent more time with Mark Chapman immediately following the murder than anyone else,saw things another way. He said "It is definately illogical to say that Mark committed the murder to make himself famous. He didn't want to talk to the press from the very start...It's possible Mark could have been used by somebody. I saw him the night of the murder. I studied him intensely. He looked as if he could of been programmed."
An alternative insight into bewildering history. I hope it comes back in-print someday.